God's Glory Appears: Prophet of all Prophets on the Cross

THE NOTION OF OBEDIENCE plays an important role in von Balthasar's understanding of ethics.  However, his understanding of obedience is not a concept of submission to an external authority.  His concept of obedience is how he characterizes an authentic human response to beauty, in particular, to the beauty of the divine form in response to the divine address, a response to the glory of God expressed in the theodrama, specifically, the Christ-event.  Obedience is, in von Balthasar's view, response to God's glory, in particular God's salvific work in Christ.

The Christ-event revolutionizes the Christian and transforms his ethics.  The obediential (if also fully autonomous) response of a Christi to Jesus is one informed by thanksgiving, by gratitude, ultimately by love.

The form of the crucified love "is so majestic" that its perception "exacts" something from the beholder, an "attitude of adoration." [But it also] transfixes it: the Christian lives and acts in the horizontal but with eyes of love turned upward. The moral good now includes a contemplative dimension, not only in discerning the good but also as an essential aspect of what it means to live that good. This essential verticality opens our lives to the personal God of Jesus Christ because it is in this moral response tied to God that we are receptive to being surprised, challenged, disturbed, undeservedly called, and unexpectedly favored by God's addressing word.

Steck, 66. The vertical component is central, and von Balthasar is unwilling to bracket it from any other component of the moral life (what we might call the "horizontal" component).  It follows that a notion of "natural law" that is removed from the Cross is foreign to von Balthasar.  The Cross is too central to von Balthasar's ethics for him to engage in the notion of pure nature.  Grace is preeminent.

Interpreted in light of the New Testament, the Old Testament can be seen as prefiguring this life of obedience to God's progressive revelation to Abraham, to Moses, and to the prophets.  But this revelation was limited, as was its response.  "The word was heard, but it did not have the power to claim its hearers in the depths of their being, to open their eyes, and to enable them to embrace the truth it proclaimed."  Steck, 69.

It is at the Cross that von Balthasar finds the prefigured obedience resplendently displayed, transformed so that it demands a completely new response, a total response.  "Only here, in the Word made visible as love, and not just as "heard," does that Word claim the full and perfect response of its recipients, a response that is not only obedient but loving."  Steck, 70.

It is as if the entirety of man's salvation history--from Fall to Redemption in Christ--is played out in the life of every person who beholds Christ on the Cross.  He realizes he is fallen, that he is no longer in status naturae integrae, but rather in status naturae lapsae.  This lapsed state requires fixing, and Christ on the gross allows him to repair this lapsed status.  The beholder of the Crucified One therefore finds the means to repair what is broken.  He finds himself in status naturae reparandae, a repairing stage, a status which is intended to lead to a full fixing of his human nature into the status naturae reparatae.  And these stages occur over and over again in the Christian ethical life.  What is sinful in us is a departure from what we are, in our full integrity, intended to be. Christ helps repair that sinfulness in us, and we overcome that sin and gain a new integrity.  All this is empowered by being transfixed upon the One who is transfixed for us on the Cross.

The Christ-event is the central act of the drama, its unifying center, and the point at which the economy [of salvation] becomes a coherent drama. However, the Christ-form is perceived not only by attending to those acts prior and subsequent to the central act of Incarnation, death, and resurrection. Those acts are themselves part of the form of Christ--not in the sense of component elements but rather, in line with Irenaeus's idea of recapitulation, they are the beginning and promise to which Christ is the end and fulfillment.

Steck, 70.  It is as if we see in Christ the entirety of salvation history as manifested in the prophets.  We see the "absoluteness of God's, in contradistinction to human, measure" as proclaimed by the prophet Amos.  We see the "necessary disposition of all spheres," a life ready to be given for God's use, as we seen in Hosea.  We see "the awe and submission of that divine majesty" that is found in Isaiah, the seeming "total futility" of mission as we find in Jeremiah, and the "surrender . . . [of] very self to the mission he was given," such as we see in Ezekiel.  Jesus is the sum total of the prophets.

Again, obedience to command is central to the Christian ethical life in von Balthasar's ethical construct.  And just as the prophets were, in varying ways, obedient to their call, to their mission, so also do we find this in pure form expressed in Jesus, since the "earthly obedience of Christ includes these elements of prophetic obedience" manifested by Israel's earlier prophets.  Steck, 71.

The Crucifixion by Graham Sutherland

It must, however, be insisted that what we have in Christ on the Cross is not simply all the earlier prophets rolled into one.  We have that, but we have something here that is remarkably unique.  It is a one-of-a-kind event that demands obedience of another kind entirely.  Christ's obedience demands our obedience because it is historically and ontologically unique:

The obedience of Christ becomes "the place where the glory [i.e., God] may give utterance to itself" and reveal itself as "boundless self-giving love". In Christ's fidelity to the Father's will, the human word stretches to heaven and begins an unbreakable dialogue of love between the Father and sinful humanity. And as the Christian comes to share in the story of triune love, not merely as recipient off its gift but also as a real participant in the central role, so too will the Christian's life reflect the layered richness of salvation history, including the notes of the discontinuity of prophetic obedience so recapitulated in the obedient and loving surrender of the Son.

Steck, 71.

For von Balthasar, the unique sort of obedience mandated by the Christ-event is not at cross-purposes with human fulfillment.  Indeed, that obedience is intrinsic to human fulfillment.  To see how this is so, however, we need to look at what von Balthasar understands as human fulfillment.  We will look at that in our next posting.

God's Glory Appears: Command and Fulfilment

THE COVENANTAL UNDERSTANDING of morality poses some problems for theologians. Perhaps the most significant is that it risks confusing the transcendent and the immanent. How can anyone say "no," or perhaps better, how can one say anything but "yes" to the sovereign God who created heaven and earth? There is something of a difficulty in supposing that contingent being can be an equal partner in a covenant with Being Himself.  When we pray, like St. Francis did, Deus meus et omnia, my God and my all, doesn't the "all" crowd out the "my"?  How does the "my" survive at all?

To put the issue another way, how does one preserve the integrity of nature, of natura pura, once the supernatural element is superimposed as the ultimate ground of action?   How can the natural order mean anything when the supernatural order intervenes through a covenant, a one-on-one agreement, a postitive command?  Doesn't this one-on-one agreement supplant the earlier order?  Isn't all then to be governed by the terms of the covenant, and none by the pre-existing order?  Don't we run the risk of a divine positivism?

In fact, those who stress the covenantal view of God and ethics, such as Karl Barth and Jaques Ellul,* How dare we speak of an order separate and apart from God, an order that is quasi-independent of him?  If God is sovereign, so is his will, and to posit some sort of order with its own rationality offends against this sovereignty.  For this reason, both Barth and Ellul rejected any notion of the natural law.  "They go so far as to characterize the kind of human control over ethics advocated in natural law approaches as instances of sinful human pride."  Steck, 63.**

 Abraham Sacrifices Isaac by Marc Chagall

By stressing the covenantal aspect of our relationship to God, von Balthasar also tends to posit a discontinuity between the "immanent operations of reason and moral discernment."  In other words, sometimes--perhaps the best example is Abraham's sacrifice of his son Isaac--God may require something unreasonable of his lesser partner. 

[God's personal address] represents an ethical claim that is not grounded in the horizontal (creaturely) order or discovered by the immanent operation of human reason. It transcends these and thus can only be received through some form of obedience (e.g., submission, assent, consent).

Steck, at 63.  In tension with this, von Balthasar also argues that such discontinuity between the transcendent God who commands and the immanent man who obeys the command (and therefore potentially if not actually turns back on the immanent order of nature) does not reduce the creature's integrity; rather, it serves to promote it and to fulfill it.  In this manner, von Balthsar tries to put a cushion between God and man so as to preserve human autonomy and creative freedom.  Man must be more than a slave who has no will but God's will, who has no reality of his own but God alone.  Even if his will is subordinate to God's he has something freely to subordinate.  Some question whether von Balthsars effectively does and remains with the Catholic ethical tradition.

How does von Balthasar, who focuses on a covenantal ethic (which works on a person-to-person command, and not a universal law basis) preserve the integrity of the human order?  Specifically, how does the requirement of man's obedience to the covenantal command preserve man's freedom and integrity?

To answer this question, we must look at von Balthasar's notion of command, notion of obedience, and see how he puts the two together so that obedience-to-command (what von Balthasar understands as mission) preserves and fulfills the lesser partner to the covenant.  We may wonder whether von Balthasar is successful, or whether his form of the divine command theory goes astray from the Catholic tradition.
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*Of course, neither of these two men wrote within the Catholic tradition.  Barth was more or less Calvinist and wrote clearly within the Reformed tradition; Ellul was rather idiosyncratic and is frequently characterized as a Christian anarchist.
**All is grace for them.  But if all his grace, what is grace saving?  Isn't there a nature (and hence an order) that grace (and its order) is saving?  Grace isn't saving nothing!

God's Glory Appears: From First Triad to Trinity to the Moral Life

THE MOST FRUITFUL WAY to understand the Revelation of God to man in Von Balthasar's eyes is to understand it as a sort of dramatic event, a particular, one-of-a-kind dramatic event, a "theodrama." Understood through the lens of this "dramatic form" allows us to gain the full Trinitarian aspect of God's revelation in Christ.

Von Balthasar identifies two "triads" that are intrinsic to the dramatic form and so may be found to exist in the theodrama.  The first triad is author, director, and actor.  The second triad is presentation, horizon, and audience.

Just like plays have an author, a director, and actors, so does the theodrama have this triad.  For von Balthasar, this is a "perfect metaphor for the economic Trinity in the theodrama."  (Steck, 55, quoting TDI 3.352)  In other words, what we have here is a pattern or analogy for understanding the Triune God, not in His transcendency (ad intra), but in his expression to the created world (ad extra). 

God the Father is the "author who shapes the drama and makes sure than it has its intended effect on the audience."  Steck, 55.  While he does this, he also must rely upon and grants a certain freedom and spontaneity to the director and actors in performing the work.  While the actor in one perspective "stands above" the director and the actor, he also must "cherish their autonomy."  Steck, 55 (quoting TD 1.280)

The Son of God is "the actor who makes real the author's dramatic idea."  Steck, 55.  While he is bound in a manner to the author's script, he is also designedly free to apply it in a non-mechanistic or non-manneristic way, as the author, God the Father, has necessarily left room for freedom of expression within his work.

The Holy Spirit is for von Balthasar the director, who takes the author's text, interprets, and allows it to speak "in a living and spiritual manner," by "prompting, inspiring, and organizing the actors as they bring their talents and energies to their respective roles."  Steck, 55.

 Trinity by Lucas Cranach the Elder

So, to put it all together, "God the author brings the dram 'into being as a unity'; God the actor conceives and executes his role 'on the basis of a single, unified vision.'; and God the director comes up 'with a unified vision embracing both the drama (with the author's entire creative contribution) and the art of the actors (with their very different creative abilities).'"  Steck, 56 (quoting TD 1.268, 284, 298)

To view Jesus as the divine "actor" in this theodrama allows us to view him further as an actor in a form of tragedy.  He is, as it were, a personification of the Greek tragic figure "who now does what Greek tragedy could never do: tie the contingent to the absolute in a universal way that stamps every existent with its pattern."  Steck, 56.  Jesus overcomes the limitations of philosophy (its universal, non-concrete quality) and the limitations of Greek tragedy or myth (its contingency, its lack of basis in reality).  Jesus is the "concrete universal."  Steck, 56.  (Jesus as the "concrete universal" is another way of stating the historical, ontological, and religious "scandal of particularity" we find in Jesus.)

The reason Jesus is the "concrete universal" is that he "opens for the finite, historical creature a stage in which his finitude is granted eternal (absolute) meaning."  The infinite absolute and universal become man in a contingent, particular, concrete existence in the Incarnation.  This bound together into one divine person both the universal and concrete, both God and man, the Uncreated Absolute and the created particularity.  It thus allows man to overcome his contingent existence and through this "concrete universal" himself become part of the absolute.

As we stated in our last posting, von Balthasar's view of the Christ-event as a sort of theodrama, and this triadic division of the theodrama into author-actor-director is wed to his Christian ethics.  "Whatever form of divine command ethics appears in von Balthasar, it must be interpreted in light of a God who 'authors' our play and give us our (christological) roles but who also makes room for our contribution as we are prompted by the Spirit."  Steck, 56.  Succinctly, the moral life is participation in the theodrama.

God's Glory Appears: The Theodrama

IN PRIOR POSTS WE HAVE SEEN how beauty in nature, particularly in persons, requires not only an openness on the part of the recipient, but a receptiveness to the form of the beautiful object, and a giving of self to the other, all within the envelope of freedom, therefore resulting in a sort of dialogue, a loving exchange, that leads to communion between one person and the other. It is more akin to a mutual self-giving. "[T]he beauty of this form reflects the aesthetic rightness of the mutual exchange of gift given and gratefully received. The epiphany of goodness, we can suggest, is a theophany in earthly form of the triune life." Steck, 50.

So there is for von Balthasar implicit in every authentic human response to beauty a trinitarian aspect.  But though this may be a sort of theophany, it is not, strictly speaking, Revelation.  Our reaction to beauty, however, provides us an analogy for our reaction to the divine beauty, i.e., God's glory.  It provides us therefore a fitting model of how humans ought to response to Revelation.

Revelation--which is a manifestation of the divine beauty or glory of the Lord--is encountered when we have a manifestation of the divine love, specifically "the triune nature of God's love."  Revelation also must contain and effect "God's covenantal intent to include the individual human existence in God's triune love."  Steck, 51.  There is always the possibility of human static in "seeing" God's glory revealed, in choosing another good, or as a result of a disordered soul which hides in its shell of egoism.

To overcome the static, the disordered egoism in our soul which makes us incapable of proper response to God's glory revealed, God must enter history in a "dramatic form," specifically, the form of tragedy.  It is tragedy that is the dramatic form by which God reveals his glory, and so it is tragedy that is "the great, valid cypher of the Christ event." Steck, 51 (GL4.101)

This dramatic form is something more than philosophy, and certainly something entirely other than myth.  Philosophy deals in universals, not particularities.  While myth has the advantage of being open to revelation from above and a sort of particularity, in its Greek form it reached a dead end.  There was "darkness" and "absence" in and ultimate impersonal.  The Greek gods are "above" us and never "with us."  That is why philosophy replaced myth in Greece.  However, philosophical truths do not result in a one-on-one encounter, and do not lead to a communion of giver, gift, and receiver of the gift.  So something other than philosophy and something more real than myth is required for the true God to reveal his glory.  The dramatic form allows for an interpersonal encounter, which is real, and so exceeds the general, impersonal encounter with philosophical truths and the unreal encounter with myth.

 The Oberamagau Passion Play

The dramatic form, however, does borrow the "encounter from above" that is found in myth, but in Revelation the unreal aspect of the myths of men is exchanged for the real aspect of God's glory being revealed.  Ultimately, this is done through tragedy. 

In drama, human action is interpreted in light of some overarching meaning that bestows a final and authoritative judgment on the agent's free historical choices of limited values and goods. The capacity of the dramatic form to interpret concrete existence makes it a particularly appropriate tool of a theological aesthetics. The dramatic story of Christ--what von Balthasar calls the "theodrama"--is the horizon in which the Christian interprets his concrete story. Like the beautiful form, the theodrama awakens a particular response on the part of the person by inviting him to interpret his life in terms of the absolute horizon of covenantal love.

Steck, 53. When Christ reveals himself in the theodrama of the Christ-event, we do not abandon the "'aesthetic lens, but rather move from an 'iconic' aesthetics to a 'dramatic' one."  Steck, 43.  From stasis to dynamis.  The theodrama of the Christ-event is dynamic in the fullest sense of the word since it is dynamic in terms of He who reveals his glory and he who receives the glory of the One revealing.  "God has brought into drama of triune life the drama of fallen human existence, so that 'our play 'plays' in his play."  Steck, 54.   So it is that God enters into our world.

That is why the Christ-event must not be seen only as a Christological event (Christ-in-man), but also as a Trinitarian event (God-in-Three-Persons).  The Trinitarian eternal "play" plays in our temporal "play."  It is a remarkable event wherein God as judge suffers the humiliation of allowing Himself to be judged.  God judges the God-man, and so "something akin to drama is played out between the sovereignty of [God's] judgment and the humiliation whereby he allows himself to be judged," and the voices of the judge and the judged, "are both united and kept distinct by a third, ineffable voice."  Thus Father, Son, and Holy Spirit.

In Christ . . . [w]e see in this life a God who allows the distance between Father and Son to become the distance of sinful alienation in order that it be overcome through the ever greater unity of divine love.

Steck, 55.

In a sense, there are two "dramas" in the Christ event: the "economic drama," which is the salvific activity of God to man, but there is also the "triune drama" where God reveals his internal life.  There are therefore two separate "triads" associated with a play and likewise with the theodrama.  The first such triad is author, director, and actor.  The second triad is presentation, horizon, and audience.  To grasp these two triads as occurring in the Christ-event is important, because von Balthasar uses the triads as metaphors to help us understand the "economic Trinity," as well as "the manner in which God accomplishes his reconciliation with humanity, without compromising divine transcendence or human freedom."  Steck, 55.  They are also important points of reference in understanding our response to the Christ-event and therefore in understanding the moral life. 

We shall explore these triads a little further in our next posting.

God's Glory Appears: Holy Spirit as "Liquefaction" of Christ

VON BALTHASAR'S MORAL THEOLOGY is Trinitarian in focus. It follows that he puts equal emphasis on the three persons of the Trinity is understanding the Christian's moral life. The Holy Spirit is "the cohesive force of the drama of salvation and the 'agent' who brings it to its fulfillment." Steck, 48.

Von Balthasar does not see the Spirit as something that propels us into the Trinitarian life like the wind billows up the sails of a sail boat. Rather, he sees the spirit as something that propels us from within, perhaps more like the wind through a flute that elicits beautiful sounds.  This Spirit works inwardly, as it were, opening "our eyes to see the beauty, the glory, of the Christ-form and thus engenders in us a willingness, 'called faith,' where we 'allow love to have its way.'"  Steck, 48 (quoting GL7.401) 

Living in the Spirit is therefore not a self-abasement or self-neglect.  Rather "to be 'in the Spirit' . . . means to make this active and dramatic law of love the law of one's active existence."  To be sure, it requires a self-surrender, the surrender of faith.  But this surrender allows the "rhythm of the Spirit to become our rhythm," and it allows us to "enter into the kind of participation in divine life that God has made possible for us."  Steck, 48-49.

To live in the Spirit is to participate in the triune life of God.  Life "in Christ" is not possible except by life "in the Spirit."  This dynamism is viewed by von Balthasar thus:

We might say that the Incarnation introduces human nature into the Godhead, and, in turn, God brings the Christian into the triune life "in Christ." The incorporation into Christ is accomplished through the Spirit. In the Spirit we too face the eternal Father in praise and adoration.
'[T]he dialogue [of prayer] is not between our spirit and the Pneuma, but between our spirit, borne by the Pneuma, and the Father, a dialogue in which the Pneuma cannot be other than the Pneuma of the Son, in whom we have come to sare in sonship . . . [and are] drawn into the event of the eternal generation of the Son.'

Steck, 49 (quoting GL.7.405)

Cumean Sybil by Giovanni Francesco Barbieri (Guercino) 

Ultima Cumaei venit iam carminis aetas;
magnus ab integro saeclorum nascitur ordo:    5
iam redit et Virgo, redeunt Saturnia regna;
iam nova progenies caelo demittitur alto.
Tu modo nascenti puero, quo ferrea primum
desinet ac toto surget gens aurea mundo,
casta fave Lucina: tuus iam regnat Apollo.    

 The last age of the Cumaean Sybil's song has come.
The mighty sequence of ages is born and begins anew.   

 Now the Maiden returns. The reign of Saturn returns.
Now a new generation descends from heaven on high.
At the birth of the child in whose time the iron race
shall cease and a golden race inherit the whole earth,
smile, O chaste Lucina: now your Apollo reigns.

--Virgil, Eclogue IV.3-10

There is a tendency to view the Holy Spirit as a sort of "force" or "faceless God."  To be viewed correctly, however, it must not be forgotten that the Holy Spirit is a divine person, a "personal Other."  Nor, however, must the doctrine of "appropriation" be forgotten.*  The role of the Spirit is essentially one to set us free.  "It is for freedom that Christ has set us free."  (Gal. 5:1)  The Holy Spirit is at the center of this God-granted freedom:

The Spirit bestows the freedom, spontaneity, and creativity of divine love by gracing Christians--and even non-Christians--with the gifts and apostolic tasks that will, in turn, 'personalize' them and allow their unique share in the one mission of Christ.

Steck, 49.**

It is the Spirit that allows the Christian disciple to effect the imitatio Christi, to live "in Christ."  Indeed, in a vivid image, von Balthasar sees the Holy Spirit as the person of God who "liquefies" Christ, so that the "historical Christ" is brought out from his one-time and one-place into a "universal reach," thus "granting the believer access" to Christ "through a simultaneity of mission."  (Steck, 49-50) (citing TD3.38-39) 

The Holy Spirit acts ad intra (within the Trinity) and ad extra among men.  This role is symphonic:

The Sprit is the bond of the free and personal exchange of love first and foremost between the Father and Son [ad intra]. But the Spirit also effects this creative and free bond between God and human person [ad extra]. In the presence of the Spirit, the human response is given divine breadth. . . . The Spirit bridges and resolves the disparities between the divine and human.

Steck, 50.

The Holy Spirit is not impeded by our limits or our sinfulness,*** but indeed overcomes them.  Thus the Spirit "is the guarantor that the good and loving elements in the Christian's actions, always touched by human perversity, will be made a cohesive part of God's work of salvation."  Steck, 50.

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*For the doctrine of appropriation see here.  Essentially, however, appropriation is the doctrine that God's actions ad extra are shared among all persons of the Trinity; however, particular actions, though engaged in by all three persons of the Trinity, may be associated with one particular person of the Trinity. 
** In a footnote, Steck states the following: "The freedom of the Spirit 'to blow where he wills' extends beyond the bounds of the visible church. The Spirit can thus 'spread God's graces and secret revelations even outside the visible Church.  The Church of the earliest period certainly knew all this, and it is humiliating for us to have to learn it anew after so many centuries of at least partial forgetting.'"  Steck, 175 (quoting von Balthasar, "Council of the Holy Spirit," in Creator Spirit, 262-630. This is a truth which can be overemphasized to the point of destroying the importance of the Church and the Christian dispensation, making it boundary-less, but which can also be under-emphasized so as to view the Church as a sort of bottle where the Spirit does not work outside of the Church.  One should remember that in the Middle Ages, both the Cumaean Sibyl and Virgil--pagans both--were considered prophets of the birth of Christ.  The fourth of Virgil's Eclogues was viewed as having a Messianic prophecy. In the fourth of Virgil's Eclogues, the Cumean Sybil foretells the coming of a savior.  Christians viewed this as a prophetic intimation of the coming of Christ.  For this reason, Dante selected Virgil as his guide through the underworld (but not in Paradise!).  In the Sistine Chapel, Michelangelo painted the Cumean Sybil with the Old Testament prophets.  To suggest from the fact that the Holy Spirit works outside the borders of the visible Church that the Holy Spirit works with all fullness outside the confines of that visible Church, however, would be error.  It would be to pit Christ's Body (into which we are incorporated) against the Holy Spirit (who works against incorporation).  Similarly, one must not forget that some Churches (such as the Orthodox Church) have valid apostolic succession and priesthood, and so valid Sacraments, even though they are outside the unity of the Catholic Church.  Surely the Holy Spirit is present to confect the Sacrament of the Eucharist in such Churches?  Finally, it has always been held that anyone--even an unbaptized person can baptize another; thus being a conduit for the Holy Spirit. But this same Spirit who works outside the walls of the Church, must also be seen as constantly endeavoring to bring those outside the confines of the Church into the Church's fullness, and never as endeavoring to take souls outside of the Church.
***An example of this might be the fact that even a priest in mortal sin can confect the Sacrament of the Eucharist since the sacrament is confected ex opere operato. The sin of the priest does not present an obstacle the Holy Spirit cannot overcome.

God's Glory Appears: Living "in Christ"

VON BALTHASAR'S ETHICS ARE PAULINE. They heavily rely on the prevalent notion of St. Paul of living a life "in Christ," ἐν Χριστῷ. This phrase (or synonymous phrases such as "in the Lord" (ἐν κυρίῳ) or "in him") are peppered throughout St. Paul's letters, and they clearly envision an incorporation in Christ as do the related formula "with Christ" (σὺν Χριστῷ), "through Christ" (διὰ Χριστῷ), "of Christ" (Χριστοῦ), "for the Lord" (τῷ κυρίῳ) and the like which are also found in St. Paul's epistles. These might be called the "incorporationist formulae" of St. Paul and it is central feature of his moral theology.

The term is both indicative and imperative.  That is, it is used to both express an existing truth and a truth to which we must strive as an ideal.  Perhaps this notion is best encapsulated by the notion of "be what you are."   We are incorporated into Christ, so we ought to act as Christ. 

There are three aspects which may be gained from St. Paul's teaching and which prevail in von Balthasar's ethical theories.

First, the formula "in Christ" clearly envisions an intimate union between the individual Christian (and the Church) and  Christ. It is Christocentric.  This is a vital, symbiotic union, one which is of dynamic influence.  Indeed, St. Paul expresses this symbiosis, this dynamism in language that is reciprocal, where we ebb into Christ and he ebbs into us, to the point that there is a union of persons that can hardly be separated.  "Yet I live, no longer I, but Christ lives in me," St. Paul says in Galatians 2:20.  Von Balthasar shares in this Pauline idea, and sees, moreover, like Paul, the Eucharist as being its highest expression.  (1 Cor. 10-11; TD3.24) (Steck, 47)

The second aspect is what effect incorporation into Christ causes the individual Christian.  It is Christomorphic.  Here we come into the notion that incorporation into Christ results in Christ's image being put in man.  The Christian becomes an image, an icon (εἰκών) of the risen Christ. We are "to be conformed to the image of the Son" (τῆς εἰκόνος τοῦ υἱοῦ αὐτοῦ).  (Rom. 8:29)  We are therefore to imitate Christ, his poverty, his obedience, his humility, his willingness to suffer for others.  Within this notion is comprehended the imitatio Christi, the imitation of Christ.

 Ite, missa est.  

Go forth on your mission to bring the world to Christ!

Yet for von Balthasar, there is something more than incorporation and imitation in the Christian's ethical life.  A third aspect is complementary of the above two aspect.  Our incorporation into Christ, our efforts to become an image of Christ, both lead to the fact that were are to participate in the mission of Christ.  In von Balthasar's words: "For Paul [his being seized by God] means that he must respond to Christ's personal love by surrendering to him in faith and by devoting himself to his apostolic mission.  Thus en [i.e., 'in Christ'] becomes syn ['with Christ'], a participation in Christ's dying and rising and in his work (synergoi)."  Steck, 48 (quoting TD3.247)


Part of Christian living is "making Christ visible," and this task, this mission is part of all those who share in the one body of Christ, by incorporation, through the Eucharist, through conforming themselves to the Lord.


Ite missa est.  Go!  You are sent forth!

God's Glory Appears: Admirabile Commercium

IN PRIOR POSTINGS, we have addressed the relations among the persons of the Trinity, the relationship between the Father and the Son, and the mission of Christ. These three components are all important in von Balthasar's ethical theory because the Christian is incorporated into Christ and through this incorporation shares in a manner of speaking in these three components. This "new life in Christ" is at the heart of the Balthasarian ethical enterprise.

Von Balthasar's ethics are deeply Christocentric:

Christ stands at the center of the drama of salvation, and he does so in such a way that he gathers and realigns all the other themes, images, and events of revelation. Christ is the one "who upholds the creation and is its justification." He is "the ultimate meaning of the whole creation and as the revelation of the Father inherent in it from the beginning."

Steck, 43.  Christ must be understood within the context of salvation history, starting from the proto-evangelium forwards.  All of these point to and culminate in the Paschal Mystery.  It is Paschal Mystery that becomes the "heuristic key for all salvation history."  The Paschal Mystery extends beyond the Cross, and embraces the entire Triduum: Good Friday, Holy Saturday, and Easter Sunday.

What Christ did is at the heart of everything.  One must begin with the Incarnation itself.  The Incarnation is that marvelous event where the Son of God took on "the human condition radically, deciding out of divine freedom to give himself over in kenotic self-abandonment and to make the burden of finite freedom his own."  Steck, 44.  God therefore "bridges the chasm of human alienation not through an eternal decision lying solely within the Godhead . . . [but] steps dramatically onto the stage of human existence and brings the drama of triune life to it, in order to lead the human drama, from within, to God's ordained conclusion."  Steck, 44.

But this kenosis of God through the person of the Son, who deemed equality with God nothing to be grasped at, is marvelous in its plenitude.  Christ takes onto himself the entire experience of man: physical pain, unjust suffering, unjust death.  The bloody death of Christ is no "bloodless myth," but a full participation in the wrath of God and the demands of the covenant.*  Christ takes unto himself the descent into Hell where he "endures the full consequences of this condition, living in solidarity with sinful humanity and thus sharing their dreadful alienation from God." Steck, 44.

Christ's mission is to beckon, woo, draw "broken existence into the fullness of trinitarian life."  It is more than some forensic declaration of righteousness.  It is the "incredible gift of incorporating the human life into divine life."  Steck, 45.  To quote von Balthasar's view:

If the impossible happens; if the absolute not only irradiates finitude but actually becomes finite, something unimaginable happens to existence: what is finite, as such, is drawn into what is ultimate and eternal; what is finite in its temporal extension, in each one of its moments and their interconnection, and not merely, for instance, in its final result.

Steck, 45 (quoting TD4.132)  The result of God becoming creation is to incorporate creation into the Godhead.  There is a two-fold movement: a downward kenotic movement and a parallel if reciprocal movement of the "ascent of human nature into God."  Steck, 46.  This is at the heart of incorporation.  The notion of incorporation into the Godhead through Christ's incarnation is central to Balthasarian ethics:

The radicality of von Balthasar's anthropology emerges here. For he will root the subjectivity and agency of the Christian as deep within the trinitarian relations as the former's creaturely limits will allow. We are re-created, not just healed of our sinful brokenness, but raised to new, exalted status before God, or, better, in God. The insertion of the human creature into divine life is made possible only because in God there is already "other," triune other. God's relatedness to the finite creature compromises the integrity of neither party. In making the human person, one "so unfit for speech" (TD2.272), into a partner of God, God continues to be absolutely self-giving and personal love. At the same time, the human creature does not leave behind its humanity for a pseudo-divinity. Rather, the human person is lifted up--with his finitude and sinfulness--into the triune divine life as human at the point of interchange where the divine became human, that is, int he Second Person of the Trinity, Jesus Christ.

Steck, 45.

This is the result of the "wonderful commerce," the admirabile commercium, between God and man in Christ.  In ethics, it is the "human side" of the admirabile commercium that is the focus.  "The Christian is incorporated into the life of Christ and thus is formed into his praxis."  Steck, 46.

Steck identifies two arguments for this participation in Christ's life as central to ethics.  The first is the Pauline notion of living "in Christ" (ἐν Χριστῷ). The second is living within the life of the Holy Spirit, which he sees as a sort of "liquefying" of Christ. Our next post shall be about this notion of living in Christ, ἐν Χριστῷ. The posting following shall be about the Holy Spirit.
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*Von Balthasar rejects theories of imputation or solidarity as explanations of how the suffering death of Jesus is efficacious for man.  "The only help is to be had from the New Testament's idea of the divine love that out of love takes upon itself the sin of the world."  Steck, 44 (quoting GL7.207)

God's Glory Appears: Missio Christi Missio Verbi est

“FOR THIS WAS I BORN and for this I have come into the world, to bear witness to the truth. Every one who is of the truth hears my voice." These words of Jesus, spoken to Pilate as related in the Gospel of John (18:37), are at the heart of Christ's mission to the world. In a nutshell, they define the missio Christi.  For the theologian Hans Urs von Balthasar, the missio Christi is so central to the person of Jesus that it actually defines him.  It is for von Balthsar something "not extrinsic to his identity," but rather, it is his "personal identity."  If Christopher Steck is to be believed:

Jesus is defined completely by his mission; he has no personal self lying outside the task of the Father. The task of expression God "through his entire being, through his life and death in and for the world, totally occupies his self-consciousness and fills it to the very brim." . . . His mission is person-constituting; it transforms him into a unique individual with an identity out of which his action and life choices flow and to which they give expression

Steck, 42-43 (quoting TD3.172).   There is a contiguity and continuity in Christ's eternal personhood before the Incarnation and after the Incarnation.  Essentially, the personhood of Christ is the same: it is only the modality that changes, and that only by the assumption of the nature of humanity into the personhood of the Son.  The change occurs not in God, but in man, who is assumed into the Godhead through the incarnation of the Son. "In the Word's Incarnation, that personhood [of the Eternal Word] continues to be fully received from the Father, but now in the earthly modality of mission."  Steck, 42.

Since Jesus is a "person," and his mission is so central to his being, it follows that for von Balthasar, the mission of Jesus may be used as "the heuristic lens for understanding what it means to be a 'person.'"*

 The Trinity Embracing Fallen Mankind

In von Balthasar's view, the notion of "person" is not an extrinsic one, one fashioned from external activity to internal reality.  It is not imposed from outside to inside.  Rather, it is intrinsic and manifests the reality that at the center of personhood is gift, the girt of the Father in the bestowal of the mission to the Son.**  It is the eternal reality that flows outward.

. . . when Jesus lays hold of his mission and fashions it, he is not obeying some alien power. The Holy Spirit who inspires him is not only the Spirit of the Father (with whom the Son is "one") but also his own Spirit. We cannot imagine his mission ever having a beginning: he has always laid hold of it already.

TD3.198 (quoted in Steck,43)

There is something interesting here.  For von Balthsar, Christ's mission is not something imposed from outside; it is not something heteronomous.  Yet is is not something autonomous.  "We cannot get behind the mission to find in Jesus a neutral moment of personal freedom."  Steck, 43.  The mission defines the person, identifies the person, and to wrest the mission from the person of the Word--whether eternally or in its aeveternal modality after the Incarnation--would be not to give autonomy to Word but to de-personify him (if such a thing were possible).  To suggest autonomy of the Word separate and apart from the mission of the Word would be to remove it from the procession (begottenness) of the Second Person of the Holy Trinity.  It, in fact, would be to posit an "isolated . . . divine person who already bore his identity at his disposal and can now hover in indecision [or autonomy] before the Father's task."  Steck, 43.  This would be to posit tear apart the Trinity and suggest not one Godhead, but two.

If Christ's mission is so intrinsically bound with his personhood, then what does that mean for Christians who are called to be incorporated into his life?  What does it mean for us to become members of his Body, the Church?  This Christological incorporation is central to von Balthsaar's ethical theory, and to that issue we will devote our next posting.

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*heuristic, from Greek eὑρίσκω, "to find" or "to discover," means a methodology, usually an experience-based technique for solving a problem, for learning, or for discovering something. Particularly when an exhaustive analysis is impossible or impractical, a heuristic method is one that allows for an intuitive, reliable judgment. In short, heuristic may colloquially be a sort of quick-and-dirty or rule-of-thumb method by which we can speed up the process of finding a satisfactory solution to something that confronts us.
**This is a little troublesome: if the person of Son is defined by his mission, then is the Father or the Holy Spirit not a person, or a person in a manner distinct from the Son?

God's Glory Appears: Softening Subordinationism

FOR VON BALTHASAR, the Christian moral life is it its essence a participation in the relationship between the Father and the Son, the "eternal begottenness" which exists between Father and Son. The earthly work of Jesus the Son of God incarnate is a temporal expression of the eternal begottenness between the Father and the Son. Jesus does the will of the Father in accomplishing his mission among men.  The Word eternally does the will of the Father.  That will of the Father, which is unchanging, and which the the person of the eternal Word in both his eternal nature and incarnate human nature responds to perfectly, is therefore one and the same.  Jesus' divine will and human will are in perfect accord, so the expression of his human will is an expression of his divine one.*  Since as Christians we are called to do the Father's will, and understanding of the relationship between the Father and the Son is essential.  This, in a nutshell, seems to be the heart of the moral enterprise in von Balthasar's eyes.

The matter of the relationship between the divine will of Jesus and his human will and their relationship to the eternal will of the Father is delicate.  In identifying the divine will and the human will of Christ, there is a risk of falling into a sort of subordinationism, that is, of making the Son in his divine nature subordinate or inferior to the Father. To subordinate the eternal will of the Son to the eternal will of the Father would be an improper subordination and denial of the essential equality of Father and Son.  However, it would not be improper to subordinate the created (human) will of Jesus to the eternal will of the Father, since, in his human nature though not in his divine nature, Jesus is subordinate to the Father.**  It is important to hold to the subordinate characteristic of Jesus' human nature and will to the eternal will of the Father and the Son.***

The subordination of Christ's human will  to the will of the Father is amply testified to in Scripture:  "Father, if you are willing, take this cup away from me; still, not my will but yours be done." (Luke 22:42)  "Jesus said to them, 'My food is to do the will of the one who sent me and to finish his work.'" (John 4:34)  "I do not seek my own will but the will of the one who sent me." (John 5:30b)  "[T]he world must know that I love the Father and that I do just as the Father has commanded me." (John 14:31)  ". . . the Lord Jesus Christ, who gave himself for our sins that he might rescue us from the present evil age in accord with the will of our God and Father . . . ." (Gal. 1:3b-4)

If the earthly work of God the Son is a revelation of the eternal relationship between God the Son and God the Father,† how do we reconcile the lack of subordinationism in the eternal relationship between God the Father and God the Son (in his divine nature) with the clear subordinationsim that exists between God the Son (in his human nature) and God the Father?

To some extent, the reconciliation can be aided by removing from the relationship of the human nature of Christ and the Father all "negative qualities associated with some human experiences of obedience--for example, inequality, antagonism, power relations, and heteronomy."  Steck, 40.   (But this also runs the risk of perverting the relationship between man and God, which, of necessity is a relationship of unequals and has an element of heteronomy arising from our created nature, and indeed our created being, and its absolute reliance upon God. Our relationship with God is not a relationship of equals.)

 The Trinity Crowning the Blessed Virgin Mary by Enguerrand Charonton (1410-1466)

Modernly, the notion of subordinating oneself to another is unappetizing.  Of course, this does not mean we go about modifying our Trinitarian or Christological doctrines to suit modern, autonomous man (or modern, autonomous woman).  We are traveling on dangerous ground when we try to accommodate truth (dogma) to man, and not man to truth (dogma).

Von Balthasar seems to soften the blow of obedience by seeing subordination within the context of love and communion, so that obedience is seen as something that affirms one's being (and the other's being), and not something which deforms one's being.

[F]or von Balthasar interpersonal love includes a moment of obedience. The individual's response to the appearing form is always one of loving obedience or obedient loving. Loving the other means welcoming his or her address. In so receiving this address, the individual allows his identity to be shaped in part by the relationship with this other. His actions are realigned with the desire to "let be" this other. Thus obeying the beloved other need not be equated essentially with a submission response to outside intervention, though we recognize that all too often in human relationships that element dominates. Rather obeying the beloved can be a faithfulness to that which is already in some sense, though not entirely, internal to use because of our loving commitment.

Steck, 40-41. Relationships between persons are, moreover, principally communions--co-"unions of freedoms"--and not "monophonic exchanges."  They require that we be open to the other, that we suspend ourselves to be able to be receptive.  This obedience-as-suspended-receptivity and not obedience-as-unilateral-submission that von Balthasar stresses is what's involved.  As Steck elaborates this point:

It is misleading to describe this receptivity to the other simply as a mode or our own willing--that is, we will that the beloved's will be done. It is rather a suspended receptivity (or, indifference) to the essentially unknown and unanticipated, spontaneity and mystery of the other. This suspended receptivity, and not the element of coerciveness, is what von Balthasar underscores in his use of the language of obedience. This receptivity, we will see, is perfected in the individual's surrender to divine glory and his obedience to the Father's will.

Steck, 41. If Christ submission and subordination to the will of the Father (in his human nature) is seen as this "suspended receptivity," then we may analogize from that to the eternal "suspended receptivity" of the Son of God to the Father God.  By identifying the human "suspended receptivity" of Christ's human will as the revelation of the eternal "suspended receptivity" of Christ's divine will to the eternal will of the Father, we are further along to understanding how the revelation of the economic trinity is the revelation of the immanent trinity.  We are able, at least in von Balthasar's view, to overcome the problem of subordiationism that the Rahnerian axiom (economic Trinity as revealed in Christ = immanent Trinity as eternally existing) presents.

It is this sort of thinking that allows von Balthasar radically to appreciate what has eternally occurred in the relations within the Godhead (and so appreciate what occurs when we become participants of the divine life by grace):

The personal and total surrender of the Father in generating the Son is the ur-kenosis of the triune life and its primal shape. The Son cannot be God in any way other than by following this patter of self-giving. The kensoses of the Incarnation and of Good Friday and Holy Saturday and the regular pattern of earthly obedience are only new expressions of this triune way of being. The Father's gift of himself to the Son has its own dimension of receptivity as it includes a perfect receptivity or openness to the Son's return of all to the Father and thus something like obedience.

Steck, 41-42.

There are further effects of holding to the Rahnerian axiom that the economic Trinity reveals the immanent Trinity when we look at Christ's mission.  Is Christ's mission equally the eternal mission of the triune God? And if so, how?

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*Orthodox Christology requires us to be dyothelitist (from Greek δυοθελητισμός = "doctrine of two wills"), not monothelitist (μονοθελητισμός = "doctrine of one will"). The Church teaches that Jesus Christ had two natures, divine and human, with two wills, divine and human. As the Catechism of the Catholic Church (§ 475) states: "Similarly, at the sixth ecumenical council, Constantinople III in 681, the Church confessed that Christ possesses two wills and two natural operations, divine and human. They are not opposed to each other, but co-operate in such a way that the Word made flesh willed humanly in obedience to his Father all that he had decided divinely with the Father and the Holy Spirit for our salvation. Christ's human will 'does not resist or oppose but rather submits to his divine and almighty will.'" 
**Cf. S.T. Ia, q. 42, art. 4, ad 1. St. Thomas addresses the objection that it would seem that the Son is not equal to the Father in greatness. "For He Himself said (John 14:28): 'The Father is greater than I'; and the Apostle says (1 Corinthians 15:28): 'The Son Himself shall be subject to Him that put all things under Him.'" His response: "These words are to be understood of Christ's human nature, wherein He is less than the Father, and subject to Him; but in His divine nature He is equal to the Father. This is expressed by Athanasius, 'Equal to the Father in His Godhead; less than the Father in humanity': and by Hilary (De Trin. ix): 'By the fact of giving, the Father is greater; but He is not less to Whom the same being is given'; and (De Synod.): 'The Son subjects Himself by His inborn piety'--that is, by His recognition of paternal authority; whereas 'creatures are subject by their created weakness.'" 
***This despite the objection of feminist theologians who fear the implications of patriarchy since if Jesus' human will is subordinate to the Father's eternal will, it suggests that our human will should be subordinate to the Father's will.  Here, their horror patriarchus leads them astray. 
†This point was discussed in our prior posting, "God's Glory Appears: The Trinity's at the Heart of It," which discussed the axiom that the "economic trinity truly reveals, is, the immanent trinity."

God's Glory Appears: The Trinity at the Heart of It

WHEN WE ARE DEALING WITH person-to-person relations, there is a dynamism to be found in the encounter which distinguishes it from a person-to-thing relation.  One moves from a static response to beauty (or glory) to a dynamic interpenetrative response, from "iconic" aesthetics to "dramatic aesthetics" or "theo-dramatic aesthetics," from an "I-Thou" encounter to a "We" encounter.  In such person/beauty-to-person/beauty contact, the "perceived form" of the other is so multivalent that it involves "various parts of our lives (e.g., temporal, personal, vocational, social), illuminating different features and aspects in a manner than cannot be summed us as a single interchange."  Steck, 34-35.  At root, such person-to-person encounter is Trinitarian.

Von Balthasar's thought is intimately Trinitarian, and his view of the Trinity is deeply attached to Christ's revelation.  For von Balthasar, the "economic Trinity"--which is what revealed in the salvific economy of God as found in Christ's mission--reveals the very life of the Trinity itself, i.e., the "immanent Trinity."  Von Balthasar is "resolute[ly] committed" to the Rahnerian "axiom that the econcomic trinity truly reveals, is, the immanent trinity." Streck, 36.  They are equivalent.  What this means is that "the form of the Son's earthly relationship with the Father is itself a revelation of the Eternal Word's procession from the Father." 

Christ's relationship with the Father as witnessed in the Gospel, then, is a revelation of what it means when we say, "God from God, Light from Light, True God from True God, begotten not made, consubstantial with the Father." The relationship between Christ and the Father in the Gospels, "was not an anthropomorphic mask assumed for a time and later discarded in the course of salvation history."  Steck, 36-37.  It is this relationship that reveals, that is, the intertrinitarian love that exists between Father, Son, and Holy Spirit, the three-persons-in-one-God-love.

The three-persons-in-one-God we call the Trinity involves an eternal relationship between three hypostases, three "subject-centers of free acts."  It involves the mutual surrender of these three "subject-centers of free acts," which gives rise eternally to three "areas of infinite freedom" which at the same time are shared one with the other so that "each of the persons of the Trinity has that person's own mode of participating in the one freedom and subjectivity of the Godhead."  Steck, 37.

An analogy of this interpersonal love found in the Trinity is found in interpersonal relationships among human persons, and so we may learn of the internal workings of the Trinity, albeit it in an analagous manner, by experiencing interpersonal relationships (communio) and then extending that communio eminently to understand the interpersonal relationships between and among the three persons of the Trinity.  In other words, in looking and by looking at the "mutual encounter of finite freedoms" of human persons, and eliminating all that is attributed to finiteness and temporality, we distill out, as it were, an understanding of what relationship occurs within the Trinity Himself, the "mutual encounter of infinite freedoms."  Though Steck does not avert to it, this appears to be the realm of natural theology.

Understanding this aspect of the Trinity is important to understanding von Balthasar's ethical theory.  "If intradivine love is a or even the formative image of our understanding of the ethical life, we do well to reflect on what images might serve it best."  Steck, 38. 

This wonderful relationship between the persons of the Godhead is best revealed in the relationship of the Son to the Father, which is what is revealed to us in the earthly visage of God as Christ walked among men.  It is to that revelation as contained in the Gospels to which we now turn.

God's Glory Appears: Love Both Free and Obedient

VON BALTHASAR attempts to reconcile both freedom (autonomy) and obedience (to law,i.e.,  heteronomy) by focusing on the "gift" aspect of one's relationship when confronting beauty, a confrontation that demands a sort of fitting response.  For von Balthasar, there is no such thing as an autonomous self that lives apart from others.  For him, "autonomy emerges not in isolation from the other, but only in an engagement with the other."  Steck, 27.

For von Balthasar, the normative, moral framework for freedom, at least on the intramundane level, lies in the contours and dynamics of the subject/object encounter viewed aesthetically. Our self-expressiveness only becomes expression, visible as beautiful and free human form, through obedience to the normative forms of human action.

Steck,27. Beauty is what takes us out of our solipsistic shell.  It nudges us, as it were, to give a response, to act outside of ourselves, to love something outside of and extrinsic to us, and in so doing, we exercise our freedom.  Beauty, and the response it elicits, is thus "freedom-granting."  "In the 'seeing' of beauty, the subject breaks out of the self-enclosed sphere of nonfreedom into the expansive horizon of love."  Steck, 27. Therefore, the "obedience" of love is not restrictive, but exactly the opposite: freeing.  It opens us to truth, to good, and it is only in truth and good that we find freedom.

This response is at its acme when one is dealing with an interpersonal encounter, as distinguished from the encounter between a person and a thing.  It is one thing to love a painting by Cézanne; it is altogether something else to confront Cézanne himself.  In an interpersonal encounter, the response to gift is mutual and so there is a mutual increase of freedom and a mutual obedience of love.  Of course, for von Balthasar the Christian, nowhere is this more manifest than in the interpersonal relations with the Father, Son, and Holy Spirit.  Indeed, it is precisely this infinite and eternal interpersonal intercommunication that is found within man, the image of God, in a created manner.  There is within man, therefore, a shimmer of God's glory.  He enjoys a "theological beauty" which is both ontological and relational.

God's glory is found in the human person in two ways according to von Balthasar, ontologically and relationally.  First, ontologically, man's shimmer of God's glory is found in the fact that he is made in the image of God.  Within the human person, God "has 'set an image of himself over against himself,' which, because it resembles the archetype, has 'certain traits of glory . . . .  intrinsically . . . proper to it.'"  Steck, 29 (quoting GL6.15)  This glory "proper" to man is bipartite.  First, it involves a capacity for free, that is, autonomous, self-expression.  Second, it involves a sort of stewardship of "lordship" in that man becomes an agent, as it were, of God, a "'representative of God and of God's power as rule.'" Steck, 29 (quoting GL6.91)  Man, therefore, has a "theological beauty," a scintilla of God's glory.  And this "theological beauty" appears in all men irrespective of creed.  It is a natural quality, not a supernatural quality.

This gives man a certain standing before God.  "This sphere of lordship allow the human person be other before God without ever being absolute other."  Steck, 29.  Man's "lordship" is sub Deo et lege, under God and law.

The second way in which God's glory appears in man (and which is part of his "theological beauty") relational.  It arises out of man's ability to form a communion of persons, an "I-Thou" encounter.  This quality is, of course, directly tied to man as imago Dei.  It is, in fact, a necessary component of the human person.  "For von Balthasar, the human person is always a being-in-relationship; in being what we are, we are being with others."  Steck, 30.

It is the second, relational aspect of man that is "the privileged moment of the manifestation of God's glory."  The ontological aspect is in fact supportive of the relational aspect.  This is true not only in terms of natural relationships between two human persons, but eminently so in the case of a human person's relationship with God in Jesus.  Here, the contingent, created theological glory of man comes face to face with the human face of God in Jesus, a most incarnational manifestation of God's uncreated glory.  In relating to God it is created glory responding to uncreated glory.

God's Glory Appears: Beauty, Gift, and Gratitude

IN OUR LAST POST, we addressed the important point that von Balthasar's aesthetics emphasizes the relationship feature, the communicative aspect, as central to the aesthetic experience. Aesthetics involves an encounter: not an encounter of self, but an encounter of an other-to-self. There is therefore an "engagement of freedoms wherein the free self-disclosure of one is greeted and returned by the free self-offering of the other--mutual gift and self-expression joined in an intertwined emergence of the 'We'." Solpisistic aesthetics is incomprehensible. It is never only an "I" or "me," but rather it is is a "we" or an "us."

For an authentic aesthetic experience, there must therefore be a mutuality between the revealing other and the receptive and responsive self.  There is both a giving and a receiving.  There is a "dialogical dimension" intrinsic to aesthetics.

This fact is important in von Balthasar's thinking.  He sees beauty as a sort of bond between truth and good. Truth and good each have their own draw, their own attraction, but in beauty we have a relational feature which is absent in the draw that truth or good has on us. Beauty is a straddler between good and truth:

[B]eauty overcomes two different one-sided approaches. One the one hand, the object is not simply an objective truth of bare fact lacking existential import, for the beautiful form is attractive to the beholder. On the other hand, the object is not simply a malleable thing to be refashioned into some benefit by an evaluating subject, for the beautiful form is objective gift. The beautiful form draws together objective truthfulness with the striving of the beholder toward fulfillment in relationality. The agent's intentionality is directed away from worth as domestication of the other for my sake to worth as a spontaneous pouring forth of a gift. Truth and goodness, apart from beauty, threaten to condense, respectively, around the (now disengaged) objective and subjective poles of worldly encounter. Truth gets reduced to what is "out there," removed from the agent (i.e., correct laws and right ideas), while goodness becomes preoccupied with what satisfies the agent. As long as these two poles are disengaged, there can be no true encounter or harmony of freeedoms. The truth of the other (the "object") would have nothing to do with the agent's desires and, ultimately, his identity. However, with the inclusion of beauty, the two poles are bridged through the deep, ontological eros--a love that is established between they why-lessness of every appearance (its giftedness) and the rapturous response of the beholder.

Steck, 23.* Beauty, therefore, keeps us from lapsing into a pure intrinsic-ism of good or truth (what is good for me, what is true for me) or a pure extrinsic-ism of good or truth (what is objective good, what is objective truth as externally-imposed).  Beauty is what saves us from falling into a purely heteronomous notion of truth and good, or into its opposite, a purely autonomous notion of truth and good.  Beauty allows for a binomous or duonomous notion of truth or good.  Implied in this is that any attractiveness to the good or to the truth is based upon the beauty (or glory, if dealing with God) intrinsic in the truth and the good.  It is this quality what attracts.  It is what calls for a response.  It is, in the final order of things, a realization of someone giving a gift, our receiving that gift, and our thanksgiving for that gift.

The response that is prompted by beauty is closely imitative of the response that is required in moral responses."Ethical behavior," just like aesthetic experience, "takes shape as grateful response." Steck, 24.  With respect to response, von Balthasar is careful to preserve freedom.  The response that beauty elicits from us is an obligation of fittingness, of rightness.  Failure to respond to beauty "is not only an aesthetic wrongness, but a genuine moral wrongness."  This failure ought not to be seen as a violation of some duty, or some law, but as a "visible deformation of freedom's expression."  Steck, 25.  What should have been a "free, creative, loving" response is instead short-of-the-mark, "marred."  Steck, 25.

By tying the aesthetic and moral response, in particular the free response between object and subject, von Balthasar avoids Kantian coldness and dryness of "pure" reason or "pure" unimaginative submission to a universal rule without regarding to one-on-one response. It departs in two significant ways:

First the law that freedom embodies is universal but not simply uniform. That is, it subsists in the engaged, interpersonal actions of unique individuals in which personal particularity, creativity, and spontaneity so shape the course of their encounters that aesthetic rightness more aptly describes the embodiment of the moral law than conformity to universalizable maxims, where the particularities tend to be viewed as accidentals accruing to an isolable, moral core. Second, the moral law has an epiphanic dimension. It is aesthetically perceived, not just judged to be the law through an objection application of rational principles.

Steck, 25. Thus von Balthasar seeks to join both law and freedom in this aesthetic "ought."  "[T]his aesthetic ought is is softer than the binding inflexibility of logical consistency.  It invites and attracts; it does not at all cajole with the threat of reprisals."  Steck, 26. 
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*Here, and elsewhere, I have replaced the female personal pronoun with the masculine (generic sense) personal pronoun.  For me, Steck's use of the female personal pronoun (she/her) as generic is distracting and unnatural.  It may be PC, but it is not proper English.

God's Glory Appears: Beauty as Address

THERE IS A TENDENCY IN MODERNS to view the artist as one who is expressive of self. This, of course, is part and parcel of modernity's rejection of objective values and emphasis on individualism and subjectivity. To grasp von Balthasar's aesthetic theory, however, we must shed ourselves of these views. For von Balthasar, art is a means of communication, and he focuses not only upon the artist, but also upon the viewer. Von Balthasar therefore places great importance on the objectivity of art. "By restoring the expressiveness of the objection, his aesthetics indicates dimensions of human agency that would otherwise be lost to view." Steck, 20. 

Accordingly, "the paradigm of human action [in aesthetics] has little to do with an individualistic or aggressive pursuit of self-fashioned goals."  Steck, 20.  Von Balthasar's aesthetics has more to do with the active reception of the object, and one's proper response to the other's address through the object (the subject-response).  Art (including the divine "art" of Creation and the even greater "art" of the God-Man Jesus) is less something of self-expression, and more something of communication.  That's why von Balthasar can seize on the human perception of, and response to, beauty as something analogous to moral action.  For von Balthasar, it takes at least two to have an aesthetics.  A solipsistic aesthetics is a surd.

Aesthetics is not merely about self-expression

Self-expression is an oxymoron.  Expression is always to an other.  The former is unreal.  The latter is real.  Communico ergo sum.   "Only through expressing oneself to the other does the person exist.  Sheer inwardness in itself--that is, the person apart from self-expression within relationships--achieves no form."  Steck, 21.

(This principle, that "sheer inwardness in itself--that is, the person apart from self-expression without relationships--achieves no form.  Such an individual would be existence without essence, freedom without determination," has significant ramifications for our notion of God.  If God is "sheer inwardness in itself" as in Allah, he is lonely; he is "existence without essence," pure will.  If God, on the other hand, is not "sheer inwardness in itself," then there must be some sort of relational life within God, i.e., God would seem to be trinitarian.)

This relational reality is at the core of von Balthasar's aesthetic theory.  He sees it as something that arises from our very nature, a nature that shares the trinitarian image of the God who made him.

We are directed towards others, and this directionality is fundamental to our sense of self; our identities are constructed through relationships with others. The ultimate ground for this self-expressive relationality is the Trinity: "The finite person bears the stamp of the imago trinitatis, which means that it can only be and become a person by relating to the other persons it encounters on its way through life.

Steck, 21 (quoting from TD5.302)

This relational nature allows us naturally to want to relate to the other, and the other discloses itself to us.  This requires us to be an active recipient of the other's "word."  In a real sense, we have to allow ourselves to be claimed by the object and receive its gift of self-expression.  We must allow ourselves, "freely, actively," to enter into the other's "spell and radiant space."  Steck, 22.

Clearly, von Balthsar's focus is on the receiving agent.  "This idea of active receptivity is key to von Balthasar's understanding of human agency."  "[I]n receiving, and thus also responding to the other (the two moments cannot be separated from one another), express ourselves and thereby achieve our own identities."  Steck, 22.

Worlds apart are we from aesthetics as self-expression.  Aesthetics is other-expressing-to-other, the artist expressing to recipient and eliciting a response.  The focus is on the receiver and on the response.  Beauty, then, is a form of communication, a relational concept, and it is this relationship aspect that is at the core of von Balthasar's theory of aesthetics and his theology of glory.

God's Glory Appears: The Need for Beauty in Theology

IN HANS URS VON BALTHASAR, the theory of aesthetics--the theory of human perception of beauty, and human response to it--is a central, if implicit, chord of his ethics. Von Balthasar sees human perception and response to beauty (which deals with the created order) as analogous to human perception and response to the divine glory (which deals with Christ and God). The latter response (to divine glory) of a man to Jesus, is fundamentally the moral act. Jesus Christ is God's glory made manifest in a unique way, and man's perception of that glory demands a response, one of free submission and love, to Christ's form.  Confronted suddenly with Christ, all responses to beauty become relativized or subordinate to Christ without thereby losing their worth.  After all, they are still theophanous, or God-revealing, in a sense.

For Von Balthasar, morality may be said to be a preeminent form of aesthetics. They run parallel in analogous channels. Aesthetics is human response (love) to the Word in the created world (which gives rise to beauty). Morality is the human response (love) to the Word in the God-Man Jesus (which gives rise to glory).  In a middling channel, as it were, is our response to our neighbor, where the image of God in man radiates the God behind it in a particular way, to be sure in an order infinitely below the Christ-form,  but still commanding a moral response. 

Balthasar's understanding of the word "glory" is biblical. His theory is founded upon an elaboration of the Hebrew word kabod (כָּבוֺד) or the Greek word doxa (δόξα). Kabod and doxa are the words most frequently used in the Scriptures to refer to the divine beauty that manifests itself in the vestiges of God in the created order, in the forms of the world. "Since reality is always charge with divine presence," Steck states, "it is always possible for graced eyes to find in worldly form the reflection of the absolute," the Logos. Beauty points beyond itself to the implicit creator behind it.  "Thus, divine beauty, glory, has its analogue in earthly beauty."  Steck, 12.  There is an "analogical tie" between beauty and glory.  Steck, 12.

 The Mosaics of Monreale, Palermo: Jesus Christ Pantokrator.

The appearance of glory in Christ--the "Christ-form"--is unique, decisive, and absolute. While glory lies behind earthly, created forms, Christ is the divine glory itself made flesh. "Christ is himself absolute truth, goodness, and beauty in concrete form. He makes visible that to which every other instance of truth, goodness, and beauty can only point." What is implicit in the created order becomes explicit in Christ through the created order, i.e., his human nature. Because the glory of God shines both through created things and supereminently in Christ there is an analogy that may be drawn between aesthetics (the human response to glory in created things, eros) and morality (the human response to glory in Christ, agape). The appropriate response to the divine image in our neighbor (also agape), is deeply tied to our response to Christ, and, unlike our response to beauty (which is psychological and may even, if corrupted be sentimental or maudlin), our response to our neighbor is a moral response. Moral response to glory, which certainly does not exclude the affective or psychological part of man, is nevertheless something entirely different from psychological, sentimental, or emotional response which is the typical reaction when confronting beauty.

Importantly, for von Balthasar, when one encounters Christ, one does not only encounter truth, good, and being, one also encounters beauty.  Christ is beautiful.  Indeed, he goes beyond beautiful to being glorious.

While the appearance of God's glory in Christ and our response to it is preeminent, one must not therefore reject the appearance of God's glory in creation and our response to it.  One might say that the former is the response to the Logos in faith, while the latter is response to the Logos in reason.  Therefore, the former is theological, the latter is philosophical.  But (as one might expect in a Catholic theologian) they are mutually supportive, and not in opposition.

Ultimately for von Balthasar, non genuine theology of glory--and thus no adequate Christian theology--can be achieved without the inclusion of beauty as a part of the philosophical substratum of theological reflection.

Steck, 12.

The aesthetic response that von Balthasar identifies is not that of Kierkegaard's aesthete.*  Unlike Kierkegaard's aesthete who lives for himself and whose aesthetic response is self-regarding, the human who responds to beauty is, in von Balthasar's view, drawn out of himself and is other-regarding.  Human response to beauty is similar to human response to truth, to good, to being.  In fact, neglect of beauty distorts our response to truth, to good, and to being.  For von Balthasar, beauty is a transcendental.**  Just as there can be a theology of truth, of good, of being, there can be a theology of beauty or a theology of glory.

Von Balthasar finds this theology of glory is "at the enter of the most important and creative theologies in Christian history."  Steck, 11. 

[Von Balthasar] finds indicators of this theology in the themes that reappear in the works of these great thinkers [Irenaeus, Augustine, Anselm, Dante, Pascal, and Hopkins]: the ever-greaterness of God, the eros of human longing which Christ awakens, the orientation of nature to the advent of grace, the sacramentality of the world's images, the shattering of human understanding before the "whylessness"*** of God's love as revealed in Christ.

Steck, 10.  Von Balthasar thus extracts from Catholic tradition his theology of glory.  He ties it with the Catholic concept of the "analogy of being"†  By tying these two together, he concludes that "divine beauty, glory, has its analogue in earthly beauty."  And beauty then becomes important "because it assists in a theological reflection on divine glory."  Steck, 12.  This connection is some important for von Balthasar, that "no genuine theology of glory--and no adequate Christian theology--can be achieved without the inclusion of beauty as a part of the philosophical substratum of theological reflection."  Grace builds upon nature.  Theology of glory builds upon aesthetics.

Beauty is also necessary "because it alone can preserve the connection between truth and goodness."  Steck, 12.  Truth, good, and beauty belong as a trinity.  Remove beauty from the mix and truth and good separate into separate spheres.  Truth becomes empirical science with its "thin" view of nature.  Cold, ugly, inhuman.  Remove beauty and good devolves into what is useful, one falls into utilitarian or pragmatic ethic.  Again, cold, calculating, inhuman.  "For beauty indicates that the world is already more than simple facts and that its goodness is more than the determination of costs and benefits."  Steck, 13.

It is beauty that makes us wonder about truth.  It is beauty that makes us desire to do good.  Beauty also allows us to be open to truth and good, particularly the true and the good in divine revelation.  "For von Balthasar, the beautiful form heralds creation's openness to 'something more.'"  Steck, 13. 

Finally, it is beauty that provides a pedagogical aid to truth and good.  It allows metaphors, images, parables, etc. to describe truth, to encourage the good.  Imagine a world where you tried to encourage your fellows to do good if you could not tell the parable of the Good Samaritan or the Prodigal Son.  Imagine a world where you tried to encourage your fellows to truth, without an icon of the Pantokrator or without the image of a Crucifix.  Imagine getting your fellows to love God without Bach's Jesu Joy of Man's Desiring or without St. Bernard of Clairvaux's Jesus dulcis memoria.  Imagine enjoining them to love the created world and give thanks to the Lord for it without St. Francis of Assisi's Canticle of the Sun.

Our love for God ought to be opulent, and only beauty allows for that to happen.
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*Kierkegaard divides human response or spheres of existence into three: aesthetic (life "for self"), ethical (life "for others"), and religious (life "for God").  This division is discussed in a variety of his works, including Either/Or, Guilty/Not Guilty and Stages on Life's Way.
**Steck defines the transcendental "being" as "the most general and universally predictable [sic] {I think this should be predicable} feature of reality, transcending yet including all of them." Steck, 11.  The other transcendentals (one, good, true, and beautiful) are nothing other than being under other aspects.  "Insofaras being is undivided in an existent, it is 'one.'  Insofar as it is knowable, it is 'true.'  Insofar as it is lovable, it is 'good.'  Insofar as it is both knowable and lovable (at once), it is 'beautiful.'"  Steck, 11.  There is some controversy about whether beauty is a transcendental and whether St. Thomas believed it to be. 
***This word ("whylessness"), used by von Balthasar, is obviously a neologism in English.  It is used by e. e. cummings in his poem "enterno(silence": "an i breathe-move-and-seem some perpetually roaming whylessness" to describe the thoughts of someone meditating in autumn of impending winter, clearly a reference of an aging man contemplating the imminence of his death and the whylessness or meaninglessness of life.  It is the utterance of a man unsinging, not a man singing.  As used by Steck and von Balthasar, "whylessness" seems to have a positive connotation of the utter gratuity of grace.  Is is the "whylessness" of a man singing, of a man in love.  Ultimately, there is no "reason" for God's grace, it is "whyless," it is nothing but an utter act of gratuitous love.  It is like a lover answering the question, "Why do you love me?"  "I don't know," is the response, "I just do."  Any mention of attributes ("you're beautiful," "you're kind," "you make me happy," etc.) is, in a sense, a diminishment of authentic love is is "whyless."  The notion is taken by Von Balthasar from the writings of Meister Eckhart who in his Sermons and Tractates wrote about the "whyless" nature of our response to God and the "whyless" nature of love, of creation, or grace (Âne warumbe / sunder warumbe). 
†Analogy of being (analogia entis) is a central concept in Catholic theology.  Very simply, it stands for the proposition that there is an analogy between God's absolute being, good, truth, unity, and beauty and contingent, created being, truth, unity, and beauty.  Though the difference between created and creator is infinite, there remains yet an analogy between the qualities of the created and Creator.  So we are able to predicate things we learn from created reality (the beauty of a beloved, fidelity in marriage, life, goodness) supereminently to God and not be lying or saying false things about him, but saying something meaningful and true, even if very limited.  We can do this by reason, which allows for natural theology.  It is also done in revelation.  How else could Jesus compare God's love for his people to a hen's love for its chicks? (Cf. Luke 13:34).